Romance

Katharine and Audrey Hepburn (More Than Just Stars)

Audrey and Katharine Hepburn

Am I the only one still in love with Audrey and Katharine Hepburn?

In a world full of Kim Kardashian and Kylie Jenners, there seems to be no space for the classy and demure. Elegance and poise have been replaced by sex appeal and popularity. Unfortunately, it seems that nowadays talent is not absolutely necessary. Our screens are filled with surgically enhanced bodies and faces, who rarely possess even half of the talent that older stars have.

Back in the day, movies might have been in black and white, but Katharine and Audrey Hepburn shined brighter than anyone else.

As Seen on TV: The Early Days of Television

If there’s one cogent indicator of how drastically things have changed since “our day,” it is in generational celebrity.

Sure, at some hapless level, little ever changes. Doris Day is reborn as Meg Ryan; Alan Ladd as Brad Pitt. Contemporary comparisons might even include Dorothy Lamour, Marilyn Monroe, and Liz Taylor.

The Hepburns Were All Class

But when it comes to class, glamour, sophistication, and courage, – especially courage – no living person compares to my silver-screen favorites: The Hepburns. Although frequently mistaken for sisters, Katharine and Audrey were not related, but they did share many similar traits. For starters, they were both very independent and tough women who frequently refused to follow the rules.

I don’t know if Katharine and Audrey ever met – what a kick-ass combo that would have been – but I’ve read that when Paramount demanded Audrey change her name to avoid confusion, she politely but emphatically replied, “If you want me, you must take my name.”

You didn’t push these angels around. They pushed back! Hard.

Katharine Hepburn (Female Equality Advocate)

Katharine, who passed away on June 29, 2003, once said that she wanted to “live like a man.” In her day, ladies, like children, were to be seen and not heard. Kate would have none of it. On-screen and off, this lady redefined what it meant to live as an independent woman.
Katharine Hepburn
The idea scared the hell out of most men. When she stated “I may be a bit tall for you,” only Spencer Tracy could get away with saying, “Don’t worry, I’ll cut you down to size.”

I adored her. As early as my 20s, my choice of any woman to be with on a desert island was Kate. I envied Bogie in “African Queen,” all alone together out there in the middle of the jungle. She combined strength and vulnerability into a unique, irresistible recipe of awe and Wow!

A star for 60 years, Katharine Hepburn’s brash and fearless actions on screen and off, proved to us that the sexes could indeed be equal. Kate was never willing to settle for such a demotion. Audiences loved her arrogant spunk. This daughter of a suffragette won four Oscars, three after the age of 60 – everyone for simply being herself.

Moon River Takes Me ‘Round the Bend

Always herself as well as Audrey Hepburn. And herself, in this case, was a princess.

In 1953, I wasn’t the only one to fall in love with this unknown dancer from London who stole “Roman Holiday” from costar Greg Peck. He fell too and insisted that she have top billing. There was a Truth about her that instantly melted the wall around one’s heart.

Two years later, as a student at the University of Edinburgh hitchhiking around Europe, I sat on Rome’s Spanish Steps eating gelato – just as Audrey had – when I realized that I’d made this trip for her. For Audrey. I suddenly knew that, had I not seen that movie, I’d still be back in the snows of Greencastle, Indiana.

Audrey HepburnHumble, charming, fragile, and vulnerable, this lady never lost sight of who she was: a wondrous woman. In the day of big bosoms and even bigger egos, Audrey Hepburn was simply none of that.

And that took guts.

I fell in love with her again in 1961 when she played Holly Golightly in “Breakfast at Tiffany’s.” With a simple song sung from a rickety fire escape, her “Moon River” took me ’round the bend again. Later, when Paramount’s president wanted to kill that song, Audrey retorted, “Over my dead body!”

This Hepburn, too, learned her fearlessness and independence as a child. At six, her father walked out on her. She was 10 when the Nazis marched into her hometown in Holland. She was odd-looking, tall, and with her big eyes and long neck, more Modigliani creation than a sex goddess. At the end of that lovely, long neck of hers a world of emotions shimmered from her eyes.

Audrey Hepburn’s Volunteer Advocacy

Like Katharine, Audrey always played herself, a person we were eager to watch forever.

In her later years, she became a special Ambassador to UNICEF. She traveled to Ethiopia, Turkey, Venezuela, Guatemala, Thailand, Sudan, and many other countries where help was needed. Back in the United States she testified in Congress, participated in the World Summit for Children, and did as many interviews and appearances as she could in order to promote UNICEF’s work and get more people involved.

She was always sensitive, never sentimental; Holly Golightly has gone fighting for starving children.

Conclusion

Both of the Hepburn women were smart and sassy, beautiful, talented, and courageous. And as they aged, they only got better.

What made these two artists stand out as the Best of the 20th Century? They were the real thing, the genuine article, that’s what.

You don’t see that kind of authenticity anymore. I grew up watching these exemplary women, so perhaps I might be biased. Do you think any of today’s starlets share the same qualities as Audrey and Katharine Hepburn?

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